8/29/2023 0 Comments A view to a kill bond girlIt shows that Glen was more interested in directing the action scenes than anything. Between Bond and May Day's escapades through the mines of Silicon Valley to the climactic battle over the Golden Gate Bridge, the movie does have a fun finale. That being said, the movie ends with a few fun back-to-back set pieces. Everything looks nice - the locations are beautiful, the cars and outfits are top-notch, and the performances are almost all spot on, the movie is just a slog. It's as though director John Glen felt no urgency to direct the film's down moments with a sense of intrigue or romance. Every moment in between the shootouts and chase scenes generously drags. Yeah, the first 30 minutes of a film should be setting the stakes, introducing the villain, and housing a few action scenes, but by the time everything is ready to go it feels like the movie has been on for over an hour. Okay, so we're in good hands, right? Well, that'd be the case if the movie weren't moving at a glacial pace. So A View to a Kill opens a bit shoddily with a terrible Beach Boys needle drop and an uncomfortable age gap between Bond and his lover, but it saves itself by moving on to a fun chase through Paris and establishes an unintentionally hilarious villain. Follow this up with Duran Duran's aimless, shrugged-off titular theme "A View to a Kill", and you'll realize what a stinker you're locked in for. Bond (let me reiterate, played by a 57-year-old Moore) manages to get away in a submarine, where he and a woman much, much younger than him become involved in some steamy activities. I like some ham, don't get me wrong, but this scene just about made my head explode. Just when you're locked in enough and think that View is going to play things a bit straighter than the franchise's unintentionally laughable moments, Bond starts snowboarding down the mountain and a cover of "California Girls" by the Beach Boys fires up. All in all, the movie seems to be in good hands. The scene is scored with a slightly annoying attempt at mixing rock with a beautiful and grandiose orchestral action score, one that is serviceable but also feels desperate to reach younger audiences. It's a traditional opening for the franchise and gives the impression that maybe, just maybe, this film will be a bit more grounded than its recent predecessors. The film opens with Bond in the snowy Siberian mountains, recovering a Soviet microchip, and skiing away from a slew of faceless enemies.
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